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		<title><![CDATA[Jazzcorner.com's Speakeasy - MUSICIAN RESOURCES]]></title>
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		<description>Post musician opportunities for gigs, promotion, publicity, management, health, endorsements, booking, etc.</description>
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			<title><![CDATA[Jazzcorner.com's Speakeasy - MUSICIAN RESOURCES]]></title>
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			<title><![CDATA[Changing 'Trane's, Part 2]]></title>
			<link>http://speakeasy.jazzcorner.com/speakeasy/showthread.php?31897-Changing-Trane-s-Part-2&amp;goto=newpost</link>
			<pubDate>Tue, 21 May 2013 17:20:27 GMT</pubDate>
			<description><![CDATA[*Leaving the dusty little town of Giant Steppes* (http://www.bobbysternjazz.com/1/post/2013/05/changing-tranes-part-2.html) has been no easy task. While sitting in the bar down-the-road-a-piece from the 'Trane Station, known as "The Cycle of Descending Major Thirds", I ran into this demonic...]]></description>
			<content:encoded><![CDATA[<div><a href="http://www.bobbysternjazz.com/1/post/2013/05/changing-tranes-part-2.html" target="_blank"><b>Leaving the dusty little town of Giant Steppes</b></a> has been no easy task. While sitting in the bar down-the-road-a-piece from the 'Trane Station, known as "The Cycle of Descending Major Thirds", I ran into this demonic looking, but sophisticated gentleman of dubious nobility who introduced himself as Count Down. I thought he looked more like Screamin' Jay Hawkins, but I didn't mention it.</div>

]]></content:encoded>
			<category domain="http://speakeasy.jazzcorner.com/speakeasy/forumdisplay.php?64-MUSICIAN-RESOURCES">MUSICIAN RESOURCES</category>
			<dc:creator>bobbysternjazz</dc:creator>
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			<title><![CDATA[Changing 'Trane's, Part 1]]></title>
			<link>http://speakeasy.jazzcorner.com/speakeasy/showthread.php?31889-Changing-Trane-s-Part-1&amp;goto=newpost</link>
			<pubDate>Thu, 16 May 2013 17:11:01 GMT</pubDate>
			<description><![CDATA[This week, on our way back from 1-2-5 St., we'll *take a little detour to the tiny town of Giant Steppes* (http://www.bobbysternjazz.com/1/post/2013/05/changing-tranes-part-1.html), where, *thirsting for knowledge*, we'll descend the stairs to a local establishment known as "The Cycle of Major...]]></description>
			<content:encoded><![CDATA[<div>This week, on our way back from 1-2-5 St., we'll <a href="http://www.bobbysternjazz.com/1/post/2013/05/changing-tranes-part-1.html" target="_blank"><b>take a little detour to the tiny town of <i>Giant Steppes</i></b></a>, where, <b>thirsting for knowledge</b>, we'll descend the stairs to a local establishment known as <i>"The Cycle of Major Thirds"</i> to get a taste of some "fluid" voice leading.</div>

]]></content:encoded>
			<category domain="http://speakeasy.jazzcorner.com/speakeasy/forumdisplay.php?64-MUSICIAN-RESOURCES">MUSICIAN RESOURCES</category>
			<dc:creator>bobbysternjazz</dc:creator>
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			<title><![CDATA[1-2-5 Street, Part 2 - 3 Note Group Combos & Maj7#11]]></title>
			<link>http://speakeasy.jazzcorner.com/speakeasy/showthread.php?31873-1-2-5-Street-Part-2-3-Note-Group-Combos-amp-Maj7-11&amp;goto=newpost</link>
			<pubDate>Wed, 08 May 2013 20:08:01 GMT</pubDate>
			<description><![CDATA[*All aboard!* Here's *Part 2* of our little trip to *1-2-5 Street* (http://www.bobbysternjazz.com/1/post/2013/05/1-2-5-street-part-2-3-note-group-combos-maj711.html), this time stopping at the corner of *Maj.7#11 Ave*, to witness different combinations of two 1-2-5 groupings.]]></description>
			<content:encoded><![CDATA[<div><b>All aboard!</b> <a href="http://www.bobbysternjazz.com/1/post/2013/05/1-2-5-street-part-2-3-note-group-combos-maj711.html" target="_blank">Here's <b><i>Part 2</i></b> of our little trip to <b>1-2-5 Street</b></a>, this time stopping at the corner of <b>Maj.7#11 Ave</b>, to witness different combinations of two 1-2-5 groupings.</div>

]]></content:encoded>
			<category domain="http://speakeasy.jazzcorner.com/speakeasy/forumdisplay.php?64-MUSICIAN-RESOURCES">MUSICIAN RESOURCES</category>
			<dc:creator>bobbysternjazz</dc:creator>
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			<title><![CDATA[1-2-5 Street, Part 1 - 3 Note Groupings & Min7 (11)]]></title>
			<link>http://speakeasy.jazzcorner.com/speakeasy/showthread.php?31864-1-2-5-Street-Part-1-3-Note-Groupings-amp-Min7-(11)&amp;goto=newpost</link>
			<pubDate>Fri, 03 May 2013 17:33:28 GMT</pubDate>
			<description><![CDATA[This week, we hop on the subway of your mind and get off at 1-2-5 St. (http://www.bobbysternjazz.com/1/post/2013/05/1-2-5-street-part-1-3-note-groupings-min7-11.html), where we'll hang out with a couple of three note groups, co-mingling to form a min7 (11) chord. We don't even need a token, except...]]></description>
			<content:encoded><![CDATA[<div>This week, <a href="http://www.bobbysternjazz.com/1/post/2013/05/1-2-5-street-part-1-3-note-groupings-min7-11.html" target="_blank">we hop on the subway of your mind and get off at 1-2-5 St.</a>, where we'll hang out with a couple of three note groups, co-mingling to form a min7 (11) chord. We don't even need a token, except possibly, a token of your appreciation.</div>

]]></content:encoded>
			<category domain="http://speakeasy.jazzcorner.com/speakeasy/forumdisplay.php?64-MUSICIAN-RESOURCES">MUSICIAN RESOURCES</category>
			<dc:creator>bobbysternjazz</dc:creator>
			<guid isPermaLink="true">http://speakeasy.jazzcorner.com/speakeasy/showthread.php?31864-1-2-5-Street-Part-1-3-Note-Groupings-amp-Min7-(11)</guid>
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			<title>The Augmented Scale as Sub for Melodic Minor Harmony</title>
			<link>http://speakeasy.jazzcorner.com/speakeasy/showthread.php?31851-The-Augmented-Scale-as-Sub-for-Melodic-Minor-Harmony&amp;goto=newpost</link>
			<pubDate>Fri, 26 Apr 2013 20:25:25 GMT</pubDate>
			<description><![CDATA[Here's something I just posted, including a free downloadable exercise / pattern (http://www.bobbysternjazz.com/1/post/2013/04/the-augmented-scale-as-sub-for-melodic-minor-harmony.html), dealing with the Augmented Scale being used as a sub for the modes of Melodic Minor, which some of you may find...]]></description>
			<content:encoded><![CDATA[<div><a href="http://www.bobbysternjazz.com/1/post/2013/04/the-augmented-scale-as-sub-for-melodic-minor-harmony.html" target="_blank">Here's something I just posted, including a free downloadable exercise / pattern</a>, dealing with the Augmented Scale being used as a sub for the modes of Melodic Minor, which some of you may find interesting.<br />
<br />
Thanks.<br />
<br />
Bobby</div>

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