JazzCorner.com
  Facebook  Twitter

HomeRosterForumsPodcastsNewsJukeboxShopContact

 




Page 2 of 3 FirstFirst 123 LastLast
Results 31 to 60 of 61

Thread: Trumpet Tones

  1. #31
    Has quit quitting rollhead's Avatar
    Join Date
    Mar 2003
    Location
    New York state
    Posts
    15,921
    Rex Stewart was a cornet player as well, and, frankly, I prefer my trumpet tones played on a cornet.

  2. #32
    with a twist stonemonkts's Avatar
    Join Date
    Mar 2003
    Location
    on a marble plinth
    Posts
    8,552
    I knew Bix played the cornet. So did Armstrong, for that matter. But people usually include the two instruments when engaging in these types of discussions.

    If I had to stick to trumpet, I'd say I admire Freddie Hubbard's tone more than most. Then probably Clifford Brown.

    Bix' sound on his instrument is my easy pick for trumpet and/or cornet tone.

  3. #33
    De harder dey come... groover's Avatar
    Join Date
    May 2004
    Posts
    7,336
    No problem, Stone, I was just pointing out that the cornet (as well as the flugelhorn) has a sweeter, less strident tone than the trumpet. Bix was a virtuoso, no doubt, but some of his tone was due to his choice of instrument.

  4. #34
    with a twist stonemonkts's Avatar
    Join Date
    Mar 2003
    Location
    on a marble plinth
    Posts
    8,552
    No problem here too, Groover! I appreciated what you posted describing the cornet.

  5. #35
    Registered User JazzAt52ndStreet's Avatar
    Join Date
    Mar 2004
    Location
    SanFrancisco
    Posts
    567
    Quote Originally Posted by groover
    FYI:T other descendants of natural horns fell into disuse.
    what might these horns be?

  6. #36
    Peace and Light! Dennis Gonzalez's Avatar
    Join Date
    Mar 2003
    Location
    Dallas, TX
    Posts
    6,571
    I loved Enrico Rava's playing when he was a younger man...very Italian-sounding and a bit sexy. But I really love what Rava's sound has changed into now that he is a, let us say, mature man. His newest sound makes me cry, it's so beautiful.

    On his Pirates of Flamenco CD, Jerry Gonzalez's sound is beautiful...almost sentimental. Full of pain and hope.

  7. #37
    JM is Back! jazzy mary's Avatar
    Join Date
    Mar 2003
    Location
    Brooklyn, NY
    Posts
    4,530
    Birdland is having a big Italian Fest soon and Enrico is going to be there. I think I will try to attend some of the gigs.

  8. #38
    Peace and Light! Dennis Gonzalez's Avatar
    Join Date
    Mar 2003
    Location
    Dallas, TX
    Posts
    6,571
    Quote Originally Posted by jazzy mary
    Birdland is having a big Italian Fest soon and Enrico is going to be there. I think I will try to attend some of the gigs.
    Oh, wow...sounds so cool. I hope to get to see Rava soon again. First (and Last) time I saw him was in Ft. Worth with George Gruntz's Big Band at Caravan of Dreams...the other trumpeters were marvin Stamm, Franco Ambrosetti, and Manfred Schoof! Whew!

  9. #39
    Rahsaanaholic Bill Barton's Avatar
    Join Date
    Mar 2003
    Location
    Pacific Northwest
    Posts
    2,606
    If we're talking strictly tone and not necessarily ideas and/or originality, many of the names mentioned so far would not be on my *short list.*

    Some would...

    Joe Wilder
    Ruby Braff (yeah, I know he played cornet)
    Bill Coleman
    Art Farmer (pre-flugel he sounded like he was playing one!)
    Kenny Wheeler
    Enrico Rava
    Tomasz Stanko
    Freddie Hubbard

  10. #40
    De harder dey come... groover's Avatar
    Join Date
    May 2004
    Posts
    7,336
    Quote Originally Posted by JazzAt52ndStreet
    what might these horns be?
    Valveless french horns and bugles, I believe.

    http://www.public.asu.edu/~jqerics/natural_horn.htm

    Modern brass instruments generally possess better intonation than comparable early instruments due both to their more efficient internal tapers and the avoidance, through the use of valves, of the most out of tune harmonics, which had to be used on the natural horn to obtain a complete scale.

    Players discovered that by inserting the hand into the bell of the horn they could alter the pitch of the instrument for improved intonation and additional pitches, and that they could also make the tonal color darker and more mellow.

    Last edited by groover; February-10th-2006 at 03:42 PM.

  11. #41
    Registered User
    Join Date
    Mar 2003
    Location
    Metro NYC
    Posts
    3,547
    Quote Originally Posted by stonemonkts
    My favorite trumpet tone of all is the sound made by Bix. Considering how old those recordings are, his sound still manages to come through to my ears sweet and clear.
    Interesting, since I thought Bix played a cornet.

    oops... didn't see that someone had already mentioned this... but SM... cornet is a much brassier sounding instrument than trumpet.
    Last edited by hornplayer; February-17th-2006 at 11:32 AM.
    hp
    "Life's short, drink well."
    www.feastivals.com

  12. #42
    Registered User
    Join Date
    Jan 2004
    Location
    Long Island, NY
    Posts
    390

    I'm happy to see such a catholic taste exhibited.

    Joe Wilder has to be heard to be believed on flugelhorn. Likewise someone you missed--Clark Terry. But my favorite of all horn sounds, outside of Bix, who is beyond all comparison, (at least to me) is someone who is never mentioned here, probably because he's left bop and the modern jazz scene for more traditional fare. That's Warren Vache, who is now playing cornet.
    and has been for years, but with a beautiful tone.
    All of this is IMHO.

  13. #43
    Registered User
    Join Date
    Jan 2004
    Location
    Long Island, NY
    Posts
    390

    And I forgot someone else.

    Bobby Hackett was one of those rare people who is instantly identifiable for his tone as well as his general musical approach.(Sorry Bobby)

  14. #44
    Absolute Beginners
    Join Date
    Apr 2003
    Posts
    89
    Johnny Coles on "So Sweet My Little Girl," from Little Johhny C.

    Duke Pearson's tune written for his daughter Cynthia. In the liner notes Duke Pearson writes, "Johnny's sound here is that of a proud parent serenading his own little daughter."

    I'd have to agree with him.

  15. #45
    Registered brash young'un ericdevin's Avatar
    Join Date
    Oct 2004
    Location
    Eugene Oregon
    Posts
    155
    1. Don Cherry - his sound on the duo CD with Ed Blackwell, El Corazon is pretty untouchable
    2. Wadada Leo Smith - his playing on Matthew Shipp's New Orbit is so dry and acerbic - truly beautiful
    3. Bill Dixon - anything really, probably the last player to truly redefine the instrument
    4. Joe McPhee - pocket trumpet never sounded so gorgeous
    5. Roy Campbell - Ethnic Stew & Brew
    6. Raphe Malik - His playing on the Jimmy Lyons box set is brilliant, brassy boppy and hard
    7. Miles Davis - The Complete In A Silent Way box
    8. Matt Lavelle - His playing on his two Eye Contact discs is out of this world.
    9. Baikida Carroll - Julius Hemphill's Coon Bid'ness is a great document
    10. Lewis "flip" Barnes William parker's sound Unity

    Best
    Eric

  16. #46
    ¯¯¯¯¯¯¯¯¯¯¯__ Vince Kargatis's Avatar
    Join Date
    Mar 2003
    Location
    Washington DC
    Posts
    5,323
    Unmentioned is one of my very favorite tones: Butch Morris's cornet. I think I'd use the word "adore", and it pains me that he's mostly stopped playing.

  17. #47
    Registered User
    Join Date
    Apr 2003
    Posts
    5,939
    I really miss Olu Dara the brass man not the blues man.

  18. #48
    Registered brash young'un ericdevin's Avatar
    Join Date
    Oct 2004
    Location
    Eugene Oregon
    Posts
    155
    Olu Dara- I must agree - I love his work with Henry Threadgill and David Murray.

    Vince-

    Butch Morris is curating the Stone in March - I am going to go see his large ensemble on the 18th.

    Best
    Eric

  19. #49
    Registered User
    Join Date
    Aug 2005
    Posts
    1,090
    Jabbo Smith, Harry James, Ziggy Elman, Harry "Sweets" Edison, Cootie Williams, Harold "Shorty" Baker.

  20. #50
    Substance User John L's Avatar
    Join Date
    Mar 2004
    Location
    Abuja, Nigeria
    Posts
    2,116
    Though not remembered much today, Frankie Newton was somebody who could blow you away just with his tone alone.

  21. #51
    Registered User
    Join Date
    Feb 2004
    Location
    New York
    Posts
    253
    Gotta like Wallace Roney, beautiful, round, almost soft tone, even when he's wailing. Awesome control.

  22. #52
    Registered User Uli's Avatar
    Join Date
    Mar 2003
    Location
    Chicago
    Posts
    15,112
    Kenny Dorham has a very rich and soulful tone.

  23. #53
    2 blocks from the world Al in NYC's Avatar
    Join Date
    Mar 2003
    Location
    Queens, NYC (center of the known universe)
    Posts
    3,021
    Geez folks... Dizzy!!

  24. #54
    Kills all threads! Rob C's Avatar
    Join Date
    Mar 2003
    Location
    Chicago
    Posts
    2,219
    Axel Doerner
    "The challenge of creative music has never been more important than in periods of profound unrest and realignment."--Anthony Braxton

  25. #55
    joue free Felix's Avatar
    Join Date
    May 2005
    Location
    Montréal, Québec
    Posts
    1,085
    Tomasz Stanko (poignant attack)
    Lester Bowie (could play any trumpet tone...)
    Clark Terry and Art Farmer (also on fluegel)
    Kenny Wheeler
    I don't know if you could say Don Cherry had a great tone, but his phrasing was certainly unique.
    the growlers: Cootie Williams, Rex Stewart, Bubber Miley,...
    Dizzy and Miles both sounded great with a (Harmon?) mute

    Oh, and Harry Beckett
    Last edited by Felix; March-27th-2006 at 10:58 PM.

  26. #56
    Registered User
    Join Date
    Apr 2006
    Posts
    1
    Joe McPhee

  27. #57
    matt lavelle
    Join Date
    Apr 2006
    Location
    nyc
    Posts
    6

    soundz soundz soundz

    roy campbell

    roy is one of the greatest flugelhorn players ever.very,very personal...african sound,...no one has his range on flugel

    HANNIBAL

    everyone sleeps on this powerful,powerful soul brother

    raphe malik

    when raphe played the blues it was right down to the bone

    booker little

    an entire lifetime,..lifetimes of music from the 22 old trumpet man,..holding down trumpet next to ERIC DOLPHY.trane wanted booker in the band.

    woody

    running down those intervals,...THE man for the 70's

  28. #58
    matt lavelle
    Join Date
    Apr 2006
    Location
    nyc
    Posts
    6

    diz,clark,..WILLIE COOK!

    dizzy on harmon,ending ballads on the major 7 below low c

    dizzy with duke:U.M.M.G


    clark terry with the metropole orchestra on flugel,...singing


    WILLIE COOK!!!!!!!!!

  29. #59
    matt lavelle
    Join Date
    Apr 2006
    Location
    nyc
    Posts
    6

    una mas

    thad jones on cornet!

  30. #60
    Has quit quitting rollhead's Avatar
    Join Date
    Mar 2003
    Location
    New York state
    Posts
    15,921
    Quote Originally Posted by frank m
    Bobby Hackett was one of those rare people who is instantly identifiable for his tone as well as his general musical approach.(Sorry Bobby)
    As Looie said, "Bobby has MORE ingredients!"



    Saw Ara Anderson with Tin Hat a couple of months ago. Very, very warm trumpet tone.
    Last edited by rollhead; May-3rd-2006 at 08:22 AM.

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  
This jazz site is part of