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SF Jazz Collective-- Costa Mesa, CA
The SF Jazz Collective, now in its third season, paid a rare visit to Southern California last weekend and played at the Orange County Performing Arts Center's small stage. I saw the first of their 4 sets, and wished I could have heard them all.
The band currently consists of Joshua Redman (tenor & soprano, and MD); Nicholas Payton (trumpet); Miguel Zenon (alto); Andre Hayward (trombone); Bobby Hutcherson (vibes & marimba); Renee Rosnes (piano); Matt Penman (bass); and Eric Harland (drums).
Each season, the band commissions 8 new arrangements (by Gil Goldstein) of the works of a single composer (the first season, it was works of Ornette Coleman; the second, John Coltrane), plus 8 new tunes (1 by each of the members of the group), inspired in some way by the works of that season's featured composer.
This season's composer is Herbie Hancock. The band opened with a medium tempo, bluesy rendition of "And What If I Don't." Fortunately, the 8 musicians do not all solo on each tune, letting the arrangements speak for themselves. This tune featured solos by Hayward, Penman and Hutcherson. Hutcherson, the elder statesman of the group, really shone on this tune (and every tune he soloed on.)
Next up was "Riot," with a kick-ass solo by Payton, and short solos from Rosnes and Penman. (Rosnes was the sole disappointment of the set; none of her solos amounted to much, IMHO. But I guess holding down the piano chair when the group is playing Hancock music is not an enviable task for anyone.)
The next four tunes were originals-- Hutcherson's "Imminent Treasures," a slow, modal-style tune with beautiful solos by Hutcherson, Zenon (double-timed) and Redman (on soprano); a tune by Payton (I didn't catch the name) with quirky, stop-and-start rhythms; Penman's ballad "Frosted Evils" (Redman's tenor solo on this was one of the highlights of the set); and Eric Harland's "Trident," with an unusually musical drum solo and more great work from Hutcherson. Each of the originals sounded like they could have come from a mid-sixties Blue Note record (and I mean that as praise)-- Payton chanelling Freddie Hubbard, Zenon inspired by Jackie McLean, and Bobby Hutcherson sounding like Bobby Hutcherson (whoda thunk?).
The encore was "Tell Me a Bedtime Story," with a powerful solo by Redman (this time on soprano). (I would love to know the other Hancock tunes they are doing this season.)
This is a terrific band, with great soloists and far more creativity than the usual "jazz repertory" ensemble. I am hoping they make the OC a regular stop on their travels.
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Elliot
Last edited by Elliot; March-28th-2006 at 08:43 PM.
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