Old October-11th-2005, 10:16 AM   #1
Doc Martin
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Former "Talking Head" turns factory into instrument

Former "Talking Head" turns factory into instrument
By Stephen BrownMon Oct 10, 6:48 AM ET

When musician David Byrne says he is going to "play a factory" in Stockholm, he is not planning a gig at a trendy new venue, but talking literally.

The founder of the band "Talking Heads" has turned a disused paint factory by the Stockholm waterside into a giant musical instrument, constructed around an old wooden pump organ with its entrails ripped out and replaced with wires and pipes.

"The public can just come in and sit down and play what they like," he told Reuters this weekend while the installation at "Fargfabriken" ("The Paint Factory") was being set up.

"Playing the Building" is not a Byrne concert but a hands-on art installation that runs until mid-November.

The organ's keys and stops are linked to dozens of clear plastic tubes that pump air through the factory vents to make a range of whistle noises, bang hammers that clank against hollow iron pillars and start four engines ranged on the roof.

The resulting cacophony is deafening and the factory, which dates from 1889 and once produced guns, combine harvesters and more recently paint, briefly sounds like it has been granted a new lease of industrial life.

"It's a very democratic instrument, everyone is reduced to the same amateur level," said Byrne.

The Scottish-born lead singer and guitarist of "Talking Heads," whose hits included "Psycho Killer" and "Burning Down the House" before they broke up in 1991, wanted this to be a more "hands-on" experience than most installation art.

"A lot of the time people think the art world is pulling their leg, that there's an elite crowd that understands what is going on but that the general public is not in on the joke," he said. "In this case I think they don't feel intimidated."

An elderly couple who wandered in off the street in the Stockholm suburb of Liljeholmen to see what all the noise was about were treated to a personal demonstration by Byrne.

"They had smiles on their faces when they left," he said.

Alongside a solo music career, best-known for partnerships with musicians from around the world from outside the Anglophone mainstream, such as Brazil's Caetano Veloso, Byrne has ventured into the visual arts with photography shows and installations.

In 2004 he put on "The Voting Booth Project" incorporating 60 discarded voting machines from the discredited Florida poll in the 2000 presidential election won by George Bush.

Now 53, Byrne is trying his hand at design, making chairs out of an old filing cabinet or a large-scale molecule model. He publishes an online journal at www.davidbyrne.com and shares his favorite music with his fans on the online "Radio David Byrne."

"I've managed to wangle it so that I can do a lot of things I can enjoy," he said. "Not all of them generate income for me."

Copyright © 2005 Reuters Limited. All rights reserved. Republication or redistribution of Reuters content is expressly prohibited without the prior written consent of Reuters. Reuters shall not be liable for any errors or delays in the content, or for any actions taken in reliance thereon.
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Old October-12th-2005, 11:36 AM   #2
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sounds like a rip-off of the Uberorgan:

http://www.massmoca.org/visual_arts/...past_2000.html

Überorgan is a new work by Los-Angeles based artist Tim Hawkinson, commissioned by MASS MoCA for its Building 5 Gallery, which is nearly 300' long. Possibly the largest indoor sculpture ever created, Überorgan is a massive musical instrument, a Brobdingnagian bastard cousin of the bagpipe, the player piano and the pipe organ. It consists of thirteen bus-sized inflated bags, one for each of the twelve tones in the musical scale and one udder-shaped bag that feeds air to the other twelve by long tubular ducts.

Filled with these large, lumpy forms - some hanging from the 28'-tall trussed ceiling - the gallery and its contents insinuate the chest cavity and internal organs of a very large living organism. The beamed ceiling reads like a ribcage, and the translucent, biomorphic bags encapsulated in orange netting are unknown glands or organs delicately traced with blood vessels.

If the bags recall internal organs, Überorgan's player piano mechanism and its various switches form a nervous system, responding to stimuli and giving commands to the organs. In the "brain," a 200'-long roll of Mylar scored with dabs and dashes of black paint winds over twelve photo-electric sensors arrayed like piano keys. Each sensor gives commands to a reed assembly attached to one of the bags. When a dab on the Mylar roll passes over a photocell, a valve in the corresponding reed assembly opens, forcing air through a 25'-long resonator pipe and producing a fog-horn like blast.

Überorgan's most majestic cousin is the pipe organ, and its musical program is derived in large part from church hymns typically played on pipe organs. Its title recalls Friedrich Nietzsche's Übermensch, or overman; like the Übermensch, which has "overcome" its human pretensions, Überorgan "overcomes" the classical pipe organ by subverting its pious grandiosity. The grand silliness of the Überorgan, its low-tech sophistication and hand-made craftsmanship, its complexity and truly vast scale are all put in the service of a playful, mirthful, even goofy end - the Überorgan laughs at itself.

This exhibition is made possible by the generous support of The Peter Norton Family Foundation, the LEF Foundation, The Horace W. Goldsmith Foundation, the Massachusetts Cultural Council, a state agency, and the National Endowment for the Arts, a federal agency. Photo: Nick Whitman.

Last edited by rollhead; October-12th-2005 at 11:39 AM.
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Old January-14th-2007, 02:37 PM   #3
cookie
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David Byrne

My heart and soul leaped when I saw this in the NYTimes today.

http://www.nytimes.com/2007/01/14/ar...ic/14herm.html


I love David Byrne. Yeah, yeah, Talking Heads---I love them too. But Byrne I admire completely as an artist. He's a little weird but really smart. That's attractive to me.

And I love the blue suede shoes. I want 'em (I collect 'em).
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Old January-14th-2007, 05:17 PM   #4
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I dig David Byrne too, Cookie.

He's hip, eccentric, smart and extraordinarily creative.

Cookie, if you haven't visited his website, you'll love it. You could spend hours there checking out his music, art and writings.

I about lost it when I saw the page depicting his collaboration with Adelle Lutz called Dressed Objects, Wedding Party, a series of 11 common objects and pieces of furniture which have custom-made clothes. A bedside table wears a pair of 4-legged pants, for example.



Tio Guillermo, 1998
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Old January-15th-2007, 02:58 AM   #5
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This thread reminded me of an article David Byrne wrote for the NY Times.

http://www.jasonjhall.com/widrworld/wwpages/byrne.html
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Old January-15th-2007, 09:22 AM   #6
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Quote:
Originally Posted by Ron Thorne View Post



Tio Guillermo, 1998
The pants are a little dressy for the table. Maybe the table could wear them to a bar mitzvoh, but not out for tapas.

Last edited by steve(thelil); January-15th-2007 at 09:23 AM.
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Old January-17th-2007, 12:21 AM   #7
cookie
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Quote:
Originally Posted by Ron Thorne View Post
I dig David Byrne too, Cookie.

He's hip, eccentric, smart and extraordinarily creative.

Cookie, if you haven't visited his website, you'll love it. You could spend hours there checking out his music, art and writings.

I about lost it when I saw the page depicting his collaboration with Adelle Lutz called Dressed Objects, Wedding Party, a series of 11 common objects and pieces of furniture which have custom-made clothes. A bedside table wears a pair of 4-legged pants, for example.



Tio Guillermo, 1998
Love it, man. Website was very cool. I dig him verily and forsooth.

Thanks to the link to Byrne's essay antmanbee. I needed that.

thelil: lol!
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Old January-17th-2007, 02:08 AM   #8
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Thanks to the link to Byrne's essay antmanbee. I needed that.
My pleasure. Quite an inspiring piece of writing, isn't it?
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Old January-17th-2007, 10:15 AM   #9
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[QUOTE=AntManBee;580291]This thread reminded me of an article David Byrne wrote for the NY Times.

Let me add my thanks also. He's really nailed it on the whole "authenticity" bugaboo.

And aprops of nothing, here's the record that I first heard back in '89 that introduced me to the world of D.O. Misiani and the music called "benga beat."



This stuff is amazing. There must be at least three guitars going, and a very busy bass line, and if you can listen to this and remain still you are probably dead. Obviously, I don't understand the words, but a friend told me the songs were all about people Misiani knew--a doctor, a furniture maker, a cook, that sort of thing.

In looking for a copy of the album, I learned that Misiani died in a road accident in Kenya last May. I also found out that he was also a political figure; he was prominent in Kenya's Liberal Democratic Party.
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