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I don't think these stereotypes matter much, and I doubt anyone but drummers would even pay much attention to this detail. Do you SOUND like a jazz drummer or a rock drummer?
That may be more important, yet even that distinction can be irrelevant depending on what kind of music is being played (the slippery slope of trying to define jazz again). If you're playing in a stylized subgenre of jazz, ie. bebop, your kit should have a certain sound just as any other member of the group should sound/play a certain way. Can you get the snare figures appropriate to bebop to sound right using a matched grip? If so, end of story. If not, then the traditional grip may be integral to getting the kind of snap out of the snare the be authentic in that style. The needs and demands of the music should dictate what technique is appropriate. This also extends to how you set up your instrument with tuning, heads, materials on and on and on. There are some real stereotypes about rock kits and jazz kits, as I'm sure you know.
Since you have the ability to play both ways, keep those skills available to you and use them both as the situations call for them. My guess is that you will sound different or at least play slightly differently depending on which technique you use. They're all good, just know when each may be called for. It's like being a painter.... you always want an assortment of brushes (techniques) available at your disposal to serve whatever your artistic choices are.
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