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I like them, mostly. But then again, I like traditional european free improv even if it isn't innovative. I don't think the first Zach/Grydelland disc was very good, and the Zach/Bailey disc was pretty mediocre (and the more recent one on Incus just as bad). But the recent duo - called something like "you should have heard me before we met" is pretty nice. They've obviously been influenced by some of the eai people they've been working with. I just today heard the new Zach solo, and it's pretty interesting - sparse chimes, gongs, drums etc with a backdrop buzz that is, I think, an ebowed snare. Similar to the last duo.
NSE are generally pretty good. The earlier ones are more plink plonk efi. Hard to say how to pick among them, because even though they all have very different lineups the concept seems to be a very socialist 'no standout' playing (though I think it is the second one that has one of the best solos I've heard in while, but I haven't figured out what it is!)
Other stuff on the label... I like the wazahugy disc a lot - noisy crazy stuff. The Oxley one is OK but you can't really hear the bass. Theres one with Paul Lovens that I need to listen to again to really decide on...kind of liked it on first listen but thought it could use some editing. What else? There's a solo bass album by I. Haker Flaten that is pretty good. Wasn't impressed with the solo Paal Nilssen-Love. Like the Sten Sandell albums, but I think he's an acquired taste and you either love him or hate him. Then there's a solo organ disc by some guy I've never heard of, don't care if I don't ever again.
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