June-12th-2004, 12:55 AM
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#1
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Lines Burnt In Light
Join Date: May 2004
Location: Cuckooland
Posts: 256
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Improvisation: Its Nature and Practice in Music By Derek Bailey
Hello all,
I would like to ask you members that are aware of this book if you would recommend or consider this an essential read. I am quite interested in this book & a fan of Bailey. Posting your thoughts is encouraged.
Thank you.
Regards,
Alexander
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June-12th-2004, 03:10 AM
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#2
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What heart?!
Join Date: Apr 2003
Location: Türkiye
Posts: 4,638
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Also, it may be useful to discuss & compare different editions/pressings. I still haven't got my hands on it either.
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June-12th-2004, 05:36 AM
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#3
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Registered User
Join Date: May 2003
Location: Seoul, Korea
Posts: 451
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Definitely recommended, but you may also want to take a look at the new title on Derek Bailey coming out on Verso by Ben Watson. Due out soon and may already be available.
http://www.versobooks.com/books/tuvw...k_bailey.shtml
__________________
The culture industry perpetually
cheats its consumer of what it
perpetually promises. The
promissory note which, with its
plots and staging, it draws on
pleasure is endlessly prolonged; the
promise, which is actually all the
spectacle consists of, is illusory: all
it actually confirms is that the real
point will never be reached, that
the diner must be satisfied with the
menu.--Horkheimer & Adorno
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June-12th-2004, 07:55 AM
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#4
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Registered User
Join Date: Mar 2003
Location: Lower Clapton
Posts: 1,261
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Would also recommend this, but be aware that it's about improvisation in music, not about improvised music the genre, which occupies only a small section of the book, excellent book despite/because of this.
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June-12th-2004, 04:54 PM
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#5
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An imbecile pure & simple
Join Date: Mar 2003
Location: The Former Aztlan
Posts: 643
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Highly recommended. You may not agree with every claim Bailey makes, but it makes for generally fascinating -- and not overly techincal -- reading.
More than that, IMPROVISATION has been terrifically influential. I almost can't read a WIRE review without being reminded of this monograph.
Mine own question: has anyone seen the television series / video that was produced in assocaition with this / Bailey's revision of the text (memory foggy on this point)? Are copies of the broadcast generally available?
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June-13th-2004, 02:56 AM
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#6
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Registered User
Join Date: Apr 2003
Posts: 22,222
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I saw it at Tonic a few years ago, during a Company Week, they showed it on consecutive nights. I found it mildly interesting, much like the book. I particularly remember a segment showing a rehearsal for one of Zorn's early gamepieces, Cobra, I think, which was as embarrassing and amateurish a display of musicmaking as I've pretty much ever witnessed.
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June-13th-2004, 07:29 AM
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#7
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Registered User
Join Date: Mar 2003
Location: Singapore
Posts: 2,902
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Quote:
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Originally Posted by Jon Abbey
I found it mildly interesting, much like the book. I particularly remember a segment showing a rehearsal for one of Zorn's early gamepieces, Cobra, I think, which was as embarrassing and amateurish a display of musicmaking as I've pretty much ever witnessed.
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They're trying and not falling back on readily available gestures, no? It's "dangerous" so might not, indeed perhaps should not, always come out - especially in the early stages. Of course, I haven't seen the said segment so what you say might hold true for me, i.e., I would agree with it, all these notwithstanding.
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June-13th-2004, 07:57 AM
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#8
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The Bluegrass
Join Date: Mar 2003
Location: no country for old men
Posts: 30,835
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Bailey's book is excellent and well written. Everyone interested in improvisation should read it.
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June-13th-2004, 10:56 AM
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#9
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Registered User
Join Date: Apr 2003
Posts: 22,222
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gokhan, I like some of Zorn's early game pieces a lot. I'm commenting on this specifically, the segment shown in this TV series. yow.
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June-15th-2004, 04:20 PM
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#10
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House ghost
Join Date: Jun 2004
Location: Sweden
Posts: 1,918
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Quote:
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Originally Posted by Bill Ashline
you may also want to take a look at the new title on Derek Bailey coming out on Verso by Ben Watson. Due out soon and may already be available.
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It's definitely available now. I saw it today in a bookshop window but I didn't have the chance to get a closer look at it.
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June-15th-2004, 06:39 PM
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#11
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Registered User
Join Date: Apr 2003
Posts: 22,222
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the Watson book is supposed to be out July 1, that's when both Amazon and Amazon UK say, and when the release party is.
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June-17th-2004, 08:02 PM
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#12
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the cantilena of speech
Join Date: Mar 2003
Location: Toronto
Posts: 2,520
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I thought Cobra was Zorn's last, or near-last gamepiece, not an early one? Or I guess you mean that that was the earliest phase of his career. Never mind.
The improvisation book's great. Both editions are worth having because of some of the changes of material.
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June-24th-2004, 10:50 AM
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#13
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¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
Join Date: Mar 2003
Location: Sweden
Posts: 3,396
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I got Ben Watson´s new book about Bailey in the mail today. It looks very promising with a chronological history on Bailey´s career. A huge discography, the complete "invisible jukebox" from the The Wire. 450 pages and also some fine pictures.
I´m looking forward reading this on my holiday this summer.
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June-24th-2004, 11:57 AM
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#14
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Registered User
Join Date: Apr 2003
Posts: 22,222
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Quote:
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Originally Posted by lazarus
I got Ben Watson´s new book about Bailey in the mail today. It looks very promising with a chronological history on Bailey´s career. A huge discography, the complete "invisible jukebox" from the The Wire. 450 pages and also some fine pictures.
I´m looking forward reading this on my holiday this summer.
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my copy is en route, is it true that Evan Parker isn't referenced once?
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June-24th-2004, 12:17 PM
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#15
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¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
Join Date: Mar 2003
Location: Sweden
Posts: 3,396
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Quote:
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Originally Posted by Jon Abbey
my copy is en route, is it true that Evan Parker isn't referenced once?
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Jon, it´s definitively not true. According to the index his name is mentioned on more than 40 different places in the book.
Last edited by lazarus; June-24th-2004 at 12:19 PM.
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June-24th-2004, 06:44 PM
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#16
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Registered User
Join Date: Apr 2003
Posts: 22,222
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interesting. I wish I remember where I heard that now...
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June-25th-2004, 04:01 AM
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#17
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Lines Burnt In Light
Join Date: May 2004
Location: Cuckooland
Posts: 256
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Thanks for all the replies. Much appreciated. I'll try to purchase both Improvisation & the Bailey biography.
Thanks again.
Regards,
Alexander
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July-23rd-2004, 02:20 PM
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#18
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Kills all threads!
Join Date: Mar 2003
Location: Chicago
Posts: 2,217
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Quote:
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Originally Posted by Jon Abbey
my copy is en route, is it true that Evan Parker isn't referenced once?
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I was just flipping through the Watson book at Borders. EP is mentioned often, and in most of the instance I spotted, the mention if followed quickly by a diss.
I only looked through the book for a few minutes, but it looked rather pedantic to me....
__________________
"The challenge of creative music has never been more important than in periods of profound unrest and realignment."--Anthony Braxton
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July-23rd-2004, 02:51 PM
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#19
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Registered User
Join Date: Apr 2003
Posts: 22,222
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yeah, I have the Watson/Bailey book now although I haven't read any of it yet, still slogging through the Prevost book on the rare occasions when I'm in the mood for that kind of thing.
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July-23rd-2004, 04:17 PM
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#20
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¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
Join Date: Mar 2003
Location: Sweden
Posts: 3,396
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I loved the first chapters about Baileys upbringing in Sheffield, his first steps as a working musician in the 50´s and about Joseph Holbrooke Trio in the 60´s because these chapters was very much based on long quotes from interviews with Bailey and he is very entertaining. Also the quotes from interviews withTony Oxley and Gavin Bryars in the long chapter about Joseph Holbrooke Trio is interesting and fun to read.
The last two thirds of the book is a little bit tedious but there are a lot of facts about recordings and about the Company Weeks.
Last edited by lazarus; July-23rd-2004 at 05:30 PM.
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July-23rd-2004, 04:54 PM
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#21
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¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
Join Date: Mar 2003
Location: Sweden
Posts: 3,396
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.....oh, I forgot. Frank Zappa´s name is mentioned over 30 times in the text. In a book about Derek Bailey and the history of free improvisation!! I guess it tells more about Ben Watson than about the subject of the book. He just loves to refer to Zappa as often as he can. Also marxist and post modern theory.
But it´s ok with me. I still like the book pretty well.
If you have a strong interest In Bailey and free improvisation it´s worth the money and time.
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July-25th-2004, 10:08 AM
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#22
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Reevaluating @ 500k
Join Date: Mar 2003
Location: Here
Posts: 31,311
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Quote:
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Originally Posted by Rob C
EP is mentioned often, and in most of the instance I spotted, the mention if followed quickly by a diss.
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Sheesh, can't these kids keep their personal differences personal?
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July-26th-2004, 05:51 PM
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#23
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Kills all threads!
Join Date: Mar 2003
Location: Chicago
Posts: 2,217
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Quote:
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Originally Posted by Pete C
Sheesh, can't these kids keep their personal differences personal?
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I should clarify that it looked like Watson was doing most of the dissing of Parker.
__________________
"The challenge of creative music has never been more important than in periods of profound unrest and realignment."--Anthony Braxton
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August-25th-2004, 11:17 PM
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#24
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Lines Burnt In Light
Join Date: May 2004
Location: Cuckooland
Posts: 256
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Well, I finnally purchased it! I actually purchased Derek Bailey & The Story of Free Improvisation first & completed that book. Now, I am going to read Improvisation: It's Nature & Practice in Music. So far so good. Mr. Bailey is a pretty good writer.
Thank you for all the comments members, much appreciated.
Regards,
Alexander
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September-5th-2004, 08:19 PM
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#25
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Be Afraid
Join Date: Dec 2003
Posts: 11,469
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I was flipping through the Watson book today at Borders and found it to be pretty ridiculous in spots. The author's Marxism and post-modernism really came through in a few phrases. Seems like it might be an interesting read, though.
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September-6th-2004, 03:10 AM
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#26
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Registered User
Join Date: May 2003
Location: Seoul, Korea
Posts: 451
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Well, Watson is a music critic heavily influenced by the ideological critique of aesthetics emerging out of the Frankfurt School and Theodor Adorno's work in particular. This is his aesthetic, and he's pretty up front about it. What do you expect?
__________________
The culture industry perpetually
cheats its consumer of what it
perpetually promises. The
promissory note which, with its
plots and staging, it draws on
pleasure is endlessly prolonged; the
promise, which is actually all the
spectacle consists of, is illusory: all
it actually confirms is that the real
point will never be reached, that
the diner must be satisfied with the
menu.--Horkheimer & Adorno
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September-6th-2004, 06:55 PM
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#27
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The Bluegrass
Join Date: Mar 2003
Location: no country for old men
Posts: 30,835
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Nothing. As I do from all epigones.
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September-9th-2004, 01:10 PM
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#28
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Registered User
Join Date: Mar 2003
Location: Lower Clapton
Posts: 1,261
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Bill, being influenced by Adorno is no excuse for spending most of a review of a Xenakis reissue talking about audio recordings of Lenin's speeches because they both have crappy sound quality (but great content!) - and giving no other reason than that whatsoever. Finding poltical content/analogies is fine, making references to historical personalities seemingly just to show you know who they are is frankly silly.
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September-27th-2004, 08:13 AM
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#29
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skirting the issue
Join Date: Mar 2003
Location: Brussels, Belgium
Posts: 4,328
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Quote:
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Originally Posted by Bill Ashline
Ben Watson
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A few days ago I was listening to Resonance FM for the first time. They were playing a documentary where the journalist was talking to various members of a weird Parisian Frank Zappa sub-cult in a café. It's only when the host signed off with a cheery "This is Ben Watson saying goodbye" did I realise who it was. For someone with such an interest in anarchic/outside music, he has a very BBC voice.
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January-3rd-2006, 12:54 AM
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#30
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Registered User
Join Date: Jan 2006
Posts: 1
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Bailey's Improvisation in Music BBC program
Mine own question: has anyone seen the television series / video that was produced in assocaition with this / Bailey's revision of the text (memory foggy on this point)? Are copies of the broadcast generally available?[/QUOTE]
I have copies made from British telly and ma wondering if they are commercially available. I want ot UL them to DIME but not if you can buy them. I don't see them for sale on the web. Bill
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