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Old July-2nd-2004, 03:03 AM   #1
Squaredancecalling Steve
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What does "abstract" mean, musically?

I hear this frequently used in eai-talk, but I don't think it's limited to that genre. What does it mean when discussing music?

As in "... but not as abstract as blahblahblah" or "unrelentingly abstract".
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Old July-2nd-2004, 03:16 AM   #2
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Sorry, no academic answer from me, Steve.

Side 1 of Schlippenbach's Globe Unity is accessible music. Side 2 is abstract.

Tonight I heard two Italian improv guys play (trombone and sampler). Together (the trombone being sampled in real time and regenerated in a variety of modes simultaneously), I "got" what the musicians were doing. Better yet, I enjoyed it and it was highly musical even if there were no mathematical patterns or familiar motifs. Were the sampler not present, the trombone would've sounded like that overdrawn brand of European farty impressionistic improv that I never had much of a taste for anyway; the type of stuff Paul Rutherford plays at his most irritating. Abstract, no?
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Old July-2nd-2004, 03:21 AM   #3
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There have been "rules" set up in every genre of art. In music, you have your keys, your modes, and your time signatures. In poetry, there are certain rhythmic patterns (not claiming that I know anything about poetry), etc.
Art out of those "rules" to me, is what is considered abstract.

Now technically speaking, these "rules" don't exist because art is about self expression and boundless freedom....but the rules are there whether you like it or not.

-52nd
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Old July-2nd-2004, 03:29 AM   #4
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Quote:
Originally Posted by JazzAt52ndStreet
Art out of those "rules" to me, is what is considered abstract.
On the contrary, many of the things I like in art fall way outside of the generally accepted rules I think you're talking about. My wife considers most of these interests to be abstract. They're "home" to me.

Something tells me Steve is looking for a far more versed definition of "abstract" as it applies to music.
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Old July-2nd-2004, 05:05 AM   #5
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Non-programmatic?
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Old July-2nd-2004, 05:10 AM   #6
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Quote:
Originally Posted by AntManBee
Non-programmatic?

Yes, that's the meaning I grew up with, and the definition of "abstract music" I can find in my dictionaries, although Webster prefers the term "absolute music."

But this is clearly not the way it is being used these days.
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Old July-2nd-2004, 05:37 AM   #7
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Enter Brian and Jon.

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Old July-2nd-2004, 05:42 AM   #8
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dissonance?
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Old July-2nd-2004, 10:00 AM   #9
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For me, abstraction is the suggestion of forms without clearly illustrating them. In music, that means hinting at musical forms while avoiding the strict representation of those forms.

Easy.

Oversimplifying because that's what lazy people do,
Larry
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Old July-2nd-2004, 01:42 PM   #10
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As I seem to recall from art history courses many years ago: ( I'm sure there are others here who can explain better what I'm gonna attempt here )

In painting and sculpture , "abstract " art was the antithesis of "realism" i.e. classical illustrative work ..even though some of it began as a transmutation from realistic forms ( i.e. cubism )

I guess in musical terms " abstract" might refer to music that is the anthesis of common practice western music that had been constructed on a set of melodic and harmonic devices ( i.e. triadic based and singable melodic lines ) ..that gradually ( like cubism ) chipped away at the harmonic and melodic forms until it accepted all sorts of other sonic materials ( i.e. noise/electronica/ non traidic tonal constructions ) as viable ..

another lazy generalization ..time for my nap!
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Old July-2nd-2004, 01:56 PM   #11
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I'm not smart enough to define it


to me, AMM defines it

not quite them, but listening to "Duo for Doris" for the first time this moring and it is abstract and totally accessable to me. But even though this brain and these ears are very rested, they are also very trained.


fwiw, in music, rules are a total fucking bore and are killing (have killed) most (all?!?) supposed modern mainstream jazz.


52nd:

by an AMM CD


or PLEASE at least buy someting by the names of the modern jazz improv giants that are talked about round these parts.

you might start answering some of your own questions









MOUTH EATING TREES AND RELATED ACTIVITIES


might be a good start





still.......








Coming Down the Mountain

and 52nd Street - give it some time if you care about this music and never, ever forget....








Get Ready to Receive Yourself


btw: anyone know how the old man is doing?




love to all


ps


thank you Jon very much


and it is after one listen my record of the year for 2004












Newfoundland, baby

Last edited by Steve Reynolds; July-2nd-2004 at 02:04 PM.
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Old July-2nd-2004, 01:57 PM   #12
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Steve, you are a beautiful motherf**ker. I'm so happy to see you preaching music here again.

Larry
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Old July-2nd-2004, 02:00 PM   #13
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I have no idea how to try to define "abstract", sorry, I'm of no help here.

Steve, glad I could help you out. I know you need it even more after last night...
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Old July-2nd-2004, 02:02 PM   #14
Steve Reynolds
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I'm over last night


I've decided to look for a teaching job


you think the kids will love me???

Last edited by Steve Reynolds; July-2nd-2004 at 02:04 PM.
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Old July-2nd-2004, 02:11 PM   #15
Brian Olewnick
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Reynolds, you could be an awesome teacher! (as long as it's not a driving instructor....)
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Old July-2nd-2004, 02:17 PM   #16
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Maybe it might be easier if we start by defining 'concrete' music?

(I predict a Concrete Blonde album cover will be posted here within the next 15 posts)
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Old July-2nd-2004, 02:20 PM   #17
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Defining concrete music is hard. It takes a while to solidify a definition for something like that, and often it doesn't stand up to scrutiny. Soon enough, cracks start to develop in the argument. The discussion tends to get heavy, and everyone wants to chime in and etch her name in it.

Testing his audience,
Larry
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Old July-2nd-2004, 02:20 PM   #18
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Quote:
Originally Posted by Steve Reynolds

I've decided to look for a teaching job


you think the kids will love me???
I bet Goodie could teach you a trick or two.
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Old July-2nd-2004, 03:05 PM   #19
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Steve Reynolds - Did I say I didn't appreciate "abstract music"?
All I'm saying is that there are rules that apply to all arts....rules that define 'concrete' music. Music outside of that is abstract.

-52nd
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Old July-2nd-2004, 03:14 PM   #20
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Someone please acknowledge that they "got" post 17, because if you don't, then it's a really stupid post and I don't want anyone to think I would write something so pointless.

In the familiar role of making the joke nobody laughs at,
Larry
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Old July-2nd-2004, 03:16 PM   #21
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Quote:
Originally Posted by Larry Nagel
Someone please acknowledge that they "got" post 17, because if you don't, then it's a really stupid post and I don't want anyone to think I would write something so pointless.

In the familiar role of making the joke nobody laughs at,
Larry
I'm "cracking" up,

Painfully droll as always,

Claude
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Old July-2nd-2004, 05:47 PM   #22
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Quote:
Originally Posted by Larry Nagel
Defining concrete music is hard. It takes a while to solidify a definition for something like that, and often it doesn't stand up to scrutiny. Soon enough, cracks start to develop in the argument. The discussion tends to get heavy, and everyone wants to chime in and etch her name in it.

Testing his audience,
Larry
..not to mention that "musique concrete" ( as it was dubbed back in the dadaist period by some Parisian wackos ) also seems to lead musicians to attempting to re-bar their compositions ...

cotributing to the sophomoric humor



BTW: "musique concrete" was originally used to identify sound collages constructed by assembling sounds of non musical devices, i.e.machines, drill presses, eggbeaters, air pumps, static, and eventually primitive electronic sound devices--like the Ondes Martinot not to mention.. the dreaded theremin...

PS: Sure was fun to read a good ol' fashioned sermon by Steve R ..

felt like home again
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Last edited by graypencil; July-2nd-2004 at 05:54 PM.
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Old July-2nd-2004, 05:59 PM   #23
Sergio Zamora
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Graypencil,

I should have added a disclaimer in my post stating that I wasn't referring to musique concrete when I asked for a definition of 'concrete music'.

Btw, I still hear the term tossed around, but the less pretentious 'sound collage' seems to be more popular. Not sure if they mean the same thing.
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Old July-3rd-2004, 10:15 PM   #24
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Quote:
Originally Posted by Steve Reynolds
I'm over last night
Oh...poor baby.

Did your mouth cause you some distress?


Wah.

Wah.

Wah.




Quote:
Originally Posted by Steve Reynolds

I've decided to look for a teaching job


you think the kids will love me???


Like a dog loves fleas.






Come do it better, bay-bee.

Last edited by GoodSpeak; July-3rd-2004 at 10:22 PM.
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Old July-3rd-2004, 10:19 PM   #25
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Personally, I think music in the abstract has, by definition, no absolute form in the mind of the composer and/or the performer.

Jazz is a great example inasmuch as improvisation is the benchmark of it's success.


Where you go from there is completely up to the musician.


It is why I love Jazz.
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Old July-4th-2004, 09:33 PM   #26
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Quote:
Originally Posted by Sergio Zamora
Graypencil,

I should have added a disclaimer in my post stating that I wasn't referring to musique concrete when I asked for a definition of 'concrete music'.

Btw, I still hear the term tossed around, but the less pretentious 'sound collage' seems to be more popular. Not sure if they mean the same thing.
Sergio:

close enough ..six of one .. etc

other buzz words floating around these days in the film business are "ambient scoring" and "sound design " ..the former utilizing more pitched and rhythmic looped stuff and the latter employing sound effects ( in the manner of the original " music concrete " )




..and ..I'd like to add that I'm somewhat offended that Nagel didn't react to my "re-bar" pun ...


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Old July-5th-2004, 02:06 AM   #27
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Quote:
Originally Posted by graypencil
..not to mention that "musique concrete" ( as it was dubbed back in the dadaist period by some Parisian wackos ) also seems to lead musicians to attempting to re-bar their compositions ...
When speaking of "Musique concrète", impossible not to mention its creator : Pierre Schaeffer, just after WW II. His approach was very rationnal. His collaborators were Pierre Henry and Eliane Radigue.

www.musespace.com/writings/essays/musique.html

BTW I've never seen/read something about abstract music. I guess this word comes from painting.
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