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Old October-3rd-2004, 06:07 PM   #1
Bluebrew
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The day that Cannonball spoke to me

When I was a kid in LA there was a lot to do as far a being able to play out. There were two clubs within walking distance of my house. The closest, called "The Music Inn" featured name players but on Sundays from 2 to 5 they had open sessions for kids and there were no hard drinks sold. Very often the featured artists or others professionals would drop in and play with the younger set. It was like as "jazz university". One Sunday Cannonball and Sam Jones dropped in. The tune was "All the Things You Are" which Ithought I knew, so when my solo came ariund I started to play "a whole conglomeration of notes." That's when Cannon ball looked at me and said "Time to get down, son." Well, at least he spoke to me and I was glad he was in a good mood.

Another difficult moment came in Madrid, Spain. All my life I have been asscociated with the art of flamenco. My mother came from a family of singers and flamenco artists in southern Spain and that was the music I grew up hearing my mother sing in the kitchen. As a younger person i went to live with relatives in Spain and polished up my guitar playing. I made friends with and old singer named Manuel Heras who had lost a great deal of his voice as a result of his life style. He was on a comeback trail at 55 and I was his accompanist. I should mention that accompanying the singer is the place most guitaists want to get to for many reasons. Anyway:

We were preforming as part of a large flamenco featival in a Madrid theater. Once we got on stage I started an introduction to a free form but somehow couldn't find my way back to giving the singer his opening. I could see Manolo was fuming. He bent over and whispered in my ear, "KId, I am going down to the corner kiosc to buy a pack of cigarrets. When I come back let's see if you will let me sing a little." and he walked right off the stage. A few second, minutes or years later he came back and we finsihed the number. I learned a hell of a lot that day.

Some of you may wonder where I get these little anecdotes. It's easy. I just had a birthday and I realized - I am older than dirt. Age in itself is experience of a sort I guess.
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Old October-3rd-2004, 06:36 PM   #2
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Cool, thanks for sharing! Some of us will of course never be able to interact with departed jazz legends, so stories like yours make for great voyeurism.

In moments when Cannonball has spoken to the audience during live shows, he has sounded very personable.
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Old October-4th-2004, 02:25 AM   #3
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Noj - since you're out there in LA here is a little history of the clubs during my time as a kid in LA. Central Avenue was still going when I got to LA in 55 but kids didn't go down there because it was a riygh area and there was a 10pm curfew in downtown LA. But clubs in the 50īs were every where. There was The Music Inn that i mentioned on Sunset near Silverlake as well as El Zarrape that featured Cal Tjader and the latin thing. At Sunset and Santa Monica there was a steak house I can't remember the name but Curtis Counce was there. On Hollywood Blvd there was Jazz City and right across the dtreet was The Peacock Ally further up was The Jazz Cellar where Red Norvo was the house band for a long time and of course Shelly's Manhole. Earlier was The Beehive but it closed down before I ever got to go there.There were two other places that were "sometimes jazz houses on Sunset near the Purple Onion but I don't remember the names. ASlso in hermosa beach Howard Rumsey's Light House.

Now how is the scene in LA? I was there doing a film in 98 but it seemed dead
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Old October-4th-2004, 02:42 AM   #4
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Over the years I have had the great fortune to meet many great jazz musicians. They have alwys been very kind a supportive as well as wanting to teach you something. Miles Davis was one on the nicest people i ever met. He would have been a great teacher. Like wise Art Pepper comes to mind at the moment as well as Getz. Great players are usually (in my case always) great people.

Last edited by Bluebrew; October-4th-2004 at 02:43 AM.
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Old October-4th-2004, 03:26 AM   #5
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Quote:
Originally Posted by Noj
Some of us will of course never be able to interact with departed jazz legends
So some members of JC have occult powers allowing them to communicate with the beyond?
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Old October-4th-2004, 09:57 AM   #6
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Thanks again Bluebrew. Must have been some great shows!
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Old October-4th-2004, 04:50 PM   #7
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Bluebrew, I'm curious. You describe Miles as being "one of the nicest people I ever met." This is a bit of a surprise, as many consider him to be angry or moody or -- at his worst -- misogynistic or racist. I'm not trying to argue that point of view. Rather, I wish you'd say more about your experiences with him and what he did that impressed you.
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Old October-4th-2004, 08:21 PM   #8
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Quote:
Originally Posted by Brian L
Bluebrew, I'm curious. You describe Miles as being "one of the nicest people I ever met." This is a bit of a surprise, as many consider him to be angry or moody or -- at his worst -- misogynistic or racist. I'm not trying to argue that point of view. Rather, I wish you'd say more about your experiences with him and what he did that impressed you.
People are often surprised when I mention this but several things come into play here, not least of which was my age at the time. My "memoral" asscociation with Miles happened like this,

In the 50's there was a club in Los Angeles called Jazz City. That's where all this took place. My friend and I convinced the owners to let us come after school and take out the trash and generally clean up before the club opened. In payment they let us sit in what used to be the kitchen (the place was formerly a diner, a small club by any syadards) and listen through what used to be the food window which they had left open. In those days a group would come in for 10 days or two weeks. Miles came in with the famous quintet. This must have been late 56 or early 57 because it was the finalized version with Trane, Red Garland (a real angel of a person) Paul Chambers and Philly Joe Jones. We came in to do the cleaning on their first rehearsal. We sated out of the way until they were just about finished then we started polishing up the tables and setting the chairs. I remember Miles saying,
"Aren't you guys a little young to be in here?"

We told him what the scene was and he smiled. He asked us what we played and then who we were listening to. I was on a big Stitt kick at the time and he thought that was great. Somebody on the West Coast listening to East Coast jazz. We had just move about a year before from Rochester N.Y. so I was still a solid East Coaster. he started asking us about others and mentioning some names which we eagerly wrote down on napkins. After a few days we got bold enough to ask him some simple technical questions that he answered pretty completely and understanably for a couple of teenagers. We were in heaven. All the guys were nice but especially Red Garland and Paul Chambers who was from Detoit where I was born. That was like meeting an American in Tibet for me. We kept calling him Mr. Davis which I think impressed him, remember Miles was barely 30 at the time. Finally he said something like,

"Hey we're stablemates now. Just Miles is fine."

He had that gravelly voice that was a little scary at first. Later I remember telling my mom who, as I have mentioned before, came from a flamenco family in Seville that if Miles had decided to sing flamenco he would have revolutionized the art. Anyway the whole group treated us royally. I remember that I was a little afraid of Trane at first, he looked like the bad guy at school who was to tough for anyone. By the end of their two weeks we would finish cleaning up and sit at a table with them while they relaxed before supper. There was only one day that I saw the Miles you speak off. One day we had stayed later than 6pm because the place was an exceptional mess that day. The bar opened at 6 and Miles was still there sitting at the bar doing something. I forget what we were taking out the last of the trash and he was talking to us when he finished. Some guy comes in for an early drink. In those days "yuppies" were called "Ivy Leaguers". You could always tell these guys because they wore pants with a little belt in the back. We came from a working class neighborhood and these guys were dorks to us, older dorks. Totally unhip. So this guy walks up to the bar, looks at Miles and says,

"Hey, you're Miles Davis."

Miles just gives him a dirty look and waks into the back room. I guess it was the way he said it. We we're POed no end.

"You just ruined everything." my freind said. So we just turned and walked into the back room. We were finished anyway. Needless to say during those two weeks we got very little sleep, did no homework but everything was cool with our parents after we told them. My dad even came to pick us up a couple of times. IN the end Miles gave us each a 45rpm of "Walkin" which I still have today.

Anyway Brian, that's my Miles story for what it's worth. I guess I have been one lucky SOB in. Life's been pretty good to me in spite of me being an A-hole plenty of the time. I have had some great times and still plan to have more. The bottle's not empty yet.
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