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Old January-13th-2005, 10:05 AM   #1
Derek Taylor
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Ho hum, Yet Another Stanley Crouch Ellingtonian Encomium

http://www.slate.com/id/2112112/
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Old January-13th-2005, 10:10 AM   #2
Pete C
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I don't agree that late Ellington has been virtually ignored, certainly not in recent years--20-25 years ago maybe, and if you bother with that jerk James Lincoln Collier.

Last edited by Pete C; January-13th-2005 at 10:10 AM.
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Old January-13th-2005, 10:11 AM   #3
Gary Sisco
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Fuckin' A. How many times can guys write the same article these days and still get taken seriously?

By the way, I think there's a typo in the subtitle (!) of his novel. It's supposed to read "blues that doesn't swing."

I had a friend once who refused to eat at any place that had to tell you what it was. (X: An Eatery). He figured if they have to tell you, you don't want to eat there. Similary, another friend once cracked, when we were being involuntarily subjected to a "guest performance" of a celebrated "singer-songwriter," If you have to explain a song before you play it, you didn't write it very well.
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Old January-13th-2005, 10:12 AM   #4
Root Doctor
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"Far East Suite," "And His Mother Called Him Bill," and "Afro-Eurasian Eclipse" are great records? Stop the presses for these iconoclastic assessments.
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Old January-13th-2005, 10:14 AM   #5
VIBEr
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This is an excellent and informative essay. The statement about all civilized people needing to have some late period Ellington is a little overstated and probably meant to be taken with a sense of humor, but other than that, I agree with everything he has to say in this particular piece.

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Old January-13th-2005, 10:18 AM   #6
Gary Sisco
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Well, then, you'll like all of his others.
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Old January-13th-2005, 10:21 AM   #7
VIBEr
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Quote:
Originally Posted by Gary Sisco
Well, then, you'll like all of his others.
Well, not really - I disagree with a lot of what Crouch has to say, but not in this particular essay.

Last edited by VIBEr; January-13th-2005 at 10:21 AM.
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Old January-13th-2005, 10:29 AM   #8
Derek Taylor
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Gary’s point (& my point too) is he’s done *this essay* before in a myriad of formats: in magazine articles, in liner notes, as a talking head on Ken Burns’ JAZZ, on the radio... in pretty much any medium that will allow him to sing the same ol’ boilerplate song. It reads like a "cut 'n paste" job through and through.
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Old January-13th-2005, 10:55 AM   #9
Pete C
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And my point is he's not the only one who's saying it.
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Old January-13th-2005, 10:59 AM   #10
Gary Sisco
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Are you kidding? Guys have made entire careers out of cutting and pasting this article.

And here I was thinking that writers are supposed to have something new to say when they publish.

No wonder I wasn't able to make a living at it. Who knew?
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Old January-13th-2005, 11:05 AM   #11
Derek Taylor
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Quote:
Originally Posted by Pete C
And my point is he's not the only one who's saying it.
Good point, Pete.
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Old January-13th-2005, 11:19 AM   #12
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I would assume that Crouch intends to illuminate the great, unwashed masses about Ellington.

Certainly anyone with a good knowledge of jazz is aware of all this.

With voices like Crouch and Wynton how can jazz fail?
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Old January-13th-2005, 11:33 AM   #13
John L
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Late period Ellington? I thought this was going to be about the Third Sacred Concert, Live at the Whitney, the Togo Brava Suite...


Calling 1950s Ellington "late" makes me feel pretty damn old.
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